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  • If privatizing Indigenous lands is such a great idea, why the uproar over privatized PotashCorp?


    Funny how being on the receiving end of a massive land grab can alter one’s perspective on what rules should apply to outsiders scooping up your territory and/or the resources beneath it.

    Recent months have seen much discussion in favour of ‘privatizing’ First Nations lands. Communal or collective ownership, we are told, has been a lazy, corrupt monkey on the back of individual residents on reserve, preventing them from the full pursuit of economic liberty and prosperity. If only individual on-reserve Indians were freer to own and control their land privately, we are told, then they’d be able to burst forth and profit both themselves and, by extension, their communities.

    This is far from a new idea: the only twist lately is that it now has forceful Indigenous advocates such as Calvin Helin and Manny Jules.

    Not everyone agrees with the analyses of these individuals. There is a fear in some quarters that privatizing reserve lands could ultimately see those lands lost forever to the control of non-Aboriginal people or business. Proponents of privatization seem to believe this can’t happen under their ‘new-and-improved’ version of land laws on-reserve, but we’ve all heard that line before. Government and business have earned the collective mistrust of First Nations.

    But, lo, witness the reaction when the moccasin is on the other foot.

    A casual glance at Canadian media these days quickly reveals a near-furor in Saskatchewan over the possible fate of PotashCorp, “the world’s largest fertilizer company.”  Today’s Globe and Mail reports that the Australian company BHP Billiton wants to buy PotashCorp for $38.6 billion. To do so, though, BHP must first “win Ottawa’s approval for its hostile takeover … despite massive political resistance to the foreign control of a strategic component of the global food chain.”

    Interesting: when First Nations leaders express their “political resistance” to the potential increase in “foreign control” of lands due to privatization, their critics imply these leaders are reactionary, corrupt dinosaurs jealously guarding their turf. But when Premier Brad Wall argues “it is not to Canada’s benefit to cede control of a strategic resource to a multinational corporation whose interests may diverge from the people of Saskatchewan,” his views are allowed to pass without question by privatization’s proponents.

    Given Canada’s atrocious track record in land dealings with Indigenous peoples, First Nations are utterly entitled to question what they fear is just the latest “hostile takeover” of what little territory they have left. Unable to take our lands outright, corporations and government may be taking a backdoor approach, one where some of the doormen now have brown faces.

    [ Image of potash mine via womp-int.com ]

  • AUDIO: imagineNATIVE 2010 awards de-brief on STREETZ FM’s ‘THE WORD’

    With vocal chords still raw from a wild week of covering imagineNATIVE 2010, MI’s Rick Harp spoke to THE WORD’s Lady V about the winners at the festival’s closing night awards.

    MI on STREETZ, Oct. 26, 2010:
    [audio:https://mediaindigena.com/wp-content/uploads/2010/10/Mediaindigena-TheWord-Oct-26-10.mp3|titles=Mediaindigena-TheWord-Oct-26-10]

    Catch MI on THE WORD live on-air/on-line at STREETZ 104.7 FM every Tuesday at 12 noon central time.

  • VIDEO: imagineNATIVE 2010, DAY 4 > Screening: ‘DANCING QUEENZ!’

    On the 4th night at imagineNATIVE 2010, Rick Harp caught up with Cree director Kent Monkman.  His film, ‘Dance to Miss Chief’ was screening as part of the festival’s ‘Dancing Queenz’ program.

  • (brief) Recap: 2010 imagineNATIVE Film + Media Arts Festival

    imagineNATIVE was always my favourite Toronto festival and I went every year from its inception up until I left the city for the Prairies in 2006. As a young aspiring journalist/visual storyteller, the films I saw and the people I met inspired me to try to carve my own path in the field. That path led me to Winnipeg where I attended other outstanding multimedia events like the Winnipeg Aboriginal Film Festival. But when I returned to Ontario this year I was thrilled that I’d be able to attend imagineNATIVE once again.

    It was a quick trip. I left Ottawa after work on Friday, got to Toronto quite late, and went back late Sunday. When I got to the main venue (Miles Nadal Jewish Community Centre) early Saturday afternoon, the vibe was electric. Some of the best Aboriginal filmmakers and aficionados from around the world were buzzing about, lining up early for each showcase. Seeing that, I was disappointed that I couldn’t make it for any of the programming in the days prior. Nonetheless, I checked out a few shorts in the media room – namely Unreserved: The Work of Louie Gong by Tracy Rector and Tashina by Caroline Monnet. Rector’s short looks at how Gong is combining traditional Salish art with popular footwear to expand to his culture’s reach, while Monnet’s is a powerful glimpse of a harsh reality many Aboriginal youth are faced with: leaving the rez to get an education. Two great short films.

    From there I checked out the Dancing Queenz showcase – comprised of short films based on dance performances. Some were funny, and others were weird and really heavy. The marquee film of the set was the standout. Dance to Miss Chief is a hilarious take on some of the German Indian-exploitation (is that a term?) films of the 1960s that fantasized Native life in North America. Winnetou would have met his match in Miss Chief.

    That evening, though, was definitely the highlight for me. Zacharias Kunuk and Ian Mauro were on hand for the world premiere of their new documentary Qapirangajuq: Inuit Knowledge and Climate Change. The film is an honest, comprehensive, compelling yet surprisingly hopeful first-hand account of how climate change is affecting Canada’s Inuit in the far north. The filmmakers interviewed dozens of Inuit elders, hunters, and leaders on how the world around them has changed in their lifetime. It’s almost entirely in various dialects of Inuktitut, layered with stunning imagery of life in the Arctic. This film will eventually be required viewing around the world. As an added treat, Kunuk and Mauro answered questions from not only the crowd, but also from viewers around the world on Skype. It was one of the coolest Q&A sessions I’ve seen.

    Sunday I caught up on a few other shorts before checking out A Good Day to Die, the documentary on the life of American Indian Movement co-founder Dennis Banks. It’s a great primer for anyone unfamiliar with AIM and paints a great picture of a man whose passion for Aboriginal people across the continent has never wavered. Banks is candid in a series of wide-ranging interviews on what sparked the movement and his future hopes for his people.

    My festival experience this year was brief, but it was more than worthwhile. The mediaINDIGENGA team (Rick and Tim) did an amazing job documenting the entire experience (as seen here), so stay tuned for more ongoing coverage of some of the amazing films and filmmakers who presented at this year’s imagineNATIVE. I can’t wait to make my visit longer next year.

  • VIDEO: imagineNATIVE 2010, DAY 5 > Closing Night Awards: Winner, Best Drama Pitch

    On the fifth and final night of imagineNATIVE 2010, a very hoarse Rick Harp caught up with the joint winners of the Drama Pitch Prize, Marcel Balfour and Darryl Nepinak. Their winning pitch was up against three other candidates.

    The prize — which includes a $5000 development deal with APTN and $2500 worth of equipment/services from William F. White — was awarded to the Winnipeg-based duo for their satirical mockumentary series, “The Band Office.”

    VIDEO: imagineNATIVE 2010, DAY 4 > ‘THE BEAT’: Music Night